media

Baby Problem Steps: Porn Edition

CN: Discussion of masturbation and pornography.  Probably NSFW.  Links whose destinations you don’t recognize are definitely NSFW.

I wrote recently about how I recognize the importance of the media that made me the atheist I am today even as I acknowledge its glaring flaws, because it filled the particular void I had.  I meant that discussion to be a lead-in for this one, but it took on a life of its own.

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Notes from the Fashion Lab

I find it strange and a little funny when people comment on my fashion sense.  I have no doubt that it’s genuinely praiseworthy, but some of the compliments I’ve received come with a little extra subtext I’d like to put to rest.

This fashion sense is the work of years, not months.

I’ve been paying vastly outsized attention to women’s clothing for my entire life.  I’ve been able to render informed opinions on clothing styles and makeup hues since high school, if not earlier.  I had weirdly specific ideas about what I wanted the women in my life to wear.  I fantasized about and utterly failed to seduce partners who approximated that style in my misguided quest to surround myself with the precise sort of femininity that it turned out I actually wanted, not to be around, but to be.  I did not face my more authentic clothing with the anxious confusion of an empty cistern.  I turned that spigot and enough fashion came out to dress ten svelte Hispanic ladies.  I was not intimidated by no longer being able to dejectedly match any T-shirt with one or another set of jeans and call it a day; I was liberated.

And because I came into this battle well-armed and, after an outpouring of support, well-provisioned, I’m sharing here what wisdom I have about how I look good in women’s clothing.

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Crack in the Womb

[Spoilers for the Season 1 finale of Steven Universe follow.]

The moment that sealed Steven Universe into richly-deserved fame and a place in future discussions of the evolution of pop culture was the 52nd episode, ”Jail Break.”  In addition to pointedly and thoroughly burnishing the show’s credentials as queer-inclusive and emotionally complex, it provided viewers with a beautifully-composed song-and-fight sequence, from the only one of the four main characters to have avoided a musical number until then:

The words of “Stronger Than You” are poetic and poignant, particularly these:

I am a conversation.

I am made

O-o-o-o-of

Lo-o-o-o-ove o-o-o-o-of

And it’s stronger than you.

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Interview for Bi Any Means

I sat down with Trav Mamone of Bi Any Means to discuss my book, my new vlog, disability activism, atheism, and more. You should take a listen if you get the chance.

Listening through the podcast I realized that I accidentally used  an expression I’ve been trying to eliminate from my vocabulary because of it’s ableist implications. A good reminder that even people who care about these issues make mistakes and it is up to us to make amends when we do. To those who were hurt, I apologize and endeavor to do better in the future. Mea Culpa. I’m sorry.

Teal Haired Ania Cartoon blushing and looking apologetic

I’m sorry

As such please note: CN for use of Insane as a pejorative.

Listen to the Podcast Here

Art and the Robot

A few years ago, I attended an art museum with Ania and one of her friends from her hometown.  There was friction between the three of us.  Ania hadn’t been in much contact with this friend for years at this time, and importantly, had come into her atheism and become involved with me in that gap.  Her friend, in turn, was still religious.  I earned some of her friend’s future antipathy to me by being a little too insistently flirtatious, which is not a good thing for a perceived cis straight man in a relationship to be toward a woman who is clearly uninterested, but most of it preceded that unfortunate buildup.  A lot of it coalesced into a rather unfortunate turn of phrase she used during that art museum trip:

“[S]he’s not one of those atheists, is [s]he?”

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A World Gone Comfortably Mad

Anyone who has played Dungeons and Dragons with me knows that my favorite themes and monsters always tie back to the aberrant.  The D&D category of “aberrations” is where the particularly bizarre composite creatures, the monsters with mind-control powers, and monsters that manipulate the forms of others tend to be.  Here reside the giant paralytic tentacle-caterpillars, formless multiple-minded masses with the ability to attack through moveable portals, and mounds of flesh that constantly shriek alien curses from their thousands of mouths.  It is difficult to beat their thematic potential and stage presence, even with such iconic creatures as manticores and sphinxes.  Fantasy adventurers who encounter an aberration don’t get to dismiss it as “we fought a dragon”—they always require a description.

In recent years, these strange creatures became not just strange for its own sake, which is good enough, but strange in a cosmic sense.  Recent editions of Dungeons and Dragons, as well as dozens of other fantasy properties, draw on the fictional universes created by H. P. Lovecraft to provide background for their aberrations.  Once upon a time, many of these aberrant creatures simply were, but now, most of them are implicitly or explicitly tied to a distant dimension whose laws bear no resemblance to those of the rest of the cosmos; owe fealty to alien masters that wish to unmake the universe; break the minds of those who attempt to understand them; or otherwise unsubtly nod to the antics of Lovecraft’s creations.

Lovecraft’s fiction first appealed to me as an atheist.  Lovecraft had no fondness for religion, and few of the religious characters and themes in his fiction say anything good about any variety of it.  Deeper than that, though, the central conceit of Lovecraft’s world is that the underlying nature of reality is far beyond humankind.  Lovecraft’s world is not for us.  Earth is a blip in a teeming cosmos; life on earth is the youthful dalliance of an insignificant planet.  A full description of Lovecraft’s universe begins eons before the emergence of humankind and proceeds for millions of years after the last human is forgotten.   Humans are a footnote, tiny against the cosmic impact of creatures such as the Elder Things and the Great Race of Yith, and still smaller against the power of beings like Cthulhu, Nyarlathotep, Hastur, and Azathoth.  These beings command forces utterly beyond the physics known to Lovecraft’s humans, reshaping life into new servile forms and manipulating hidden dimensions of space.  To all of these creatures, humanity is a diversion at best, and a distraction at worst; our irrelevance to them is as the irrelevance of seaside huts to a tsunami, or, sometimes, as deer to a hunter.  Learning that the commanding forces of the cosmos have no affection or regard for humanity and would no more consider us in their actions or goals as an earthquake does is the final straw that undoes the sanity of numerous Lovecraft protagonists, the truth that fills his stories with their supposed horror.

I always found the thought…comforting.

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The Shoes Are Not Impractical – You Are

[Spoilers for Jurassic World follow]

Jurassic World is a spectacular film.  The scale of the resurrected-dinosaur franchise did not appreciably increase with the previous two sequels two decades ago, but here, it swells to encompass a larger ecology of reborn dinosaurs, a larger setting, and a larger cinematic vision, which is a fitting continuation to the spectacle of its forebears.  Less fortunately, that larger scale has pushed the franchise away from its suspenseful, adventure-film roots toward creature-feature garishness.  At least they added or restored several characters of color and acknowledged in-universe that their undead sauropsids often bear only superficial resemblance to their ostensible forebears.

As much as the biologist in me was shrieking the whole time, the movie had one joyous redeeming feature, and that was Bryce Dallas Howard’s character, Claire Dearing.

Claire Dearing looking sarcastically on. From MovieWeb.com.

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